Today I completed the manuscript of a new teacher booklet, which will be released in a few months in the publishing Krapp & Gutknecht. It contains material to teach two rows (or lessons). I present here the table of contents before:
Contents
preface
first Georg Büchner (general)
A Georg Büchner's life
B The political situation at the time Büchner
C Büchner's works
- The Hessian Courier
- Danton's Death
- Lenz
- Leonce and Lena
- Woyzeck
D Büchner in literary history
E materials to two lessons
- Letter to the bride (Early 1834: Fatalismusbrief)
- Letter to family (28 July 1835)
- Excerpt from "Lenz" (literary theory)
- Excerpt from "Lenz" (topics: peace, insanity)
- Excerpt from "Leonce and Lena" (III, 3: automatic speech)
- Georg Büchner: inaugural lecture "On cranial nerves"
- Ursula March pilgrims, priests, celebrities. Poetics of authenticity
second Module "Danton's Death"
A Didactic considerations
- understanding of the play - aspects
- Aims of education
- Reflections on the course of instruction
- Analytical and productive forms of work
- Use of the film
B Studies on the text
- Danton and his friends: their Portrait in I 1
- Exposure: actors and issues (I 1 and I 2)
- Political rhetoric in Robespierre I 3
- Robespierre (I 6 - analysis Overview)
- The course of events
- The battle of the Revolutionary - aspects
- Analysis II 7
- Danton in the face of death (in mainly on III)
- Marion, Lucile, Julie - three female figures
- The songs in "Danton's Death", an example studied
- constellation of characters and figures
C materials
- read control 1 Current
- open form of drama
- Guidance for scene analysis
- The revolutionary events (historical background)
- Templates of the songs in "Danton's Death "
- Hans Mayer: Thermidorstimmung
- Max Weber: Politics as a Vocation (excerpt)
D exams (with solutions expectancy)
- Comparative analysis of two fictional texts
- analysis of a text property with further write job
third Module "Woyzeck"
A Didactic considerations
- To understand the drama - aspects
- Aims of education
- The course of instruction
- forms of work, work products, work proposals
- Woyzeck productions in schools
- The Movie " Woyzeck by Werner Herzog
- More Tools
B notes to the text
C. Studies on the text
- The Doctor and Woyzeck: subject and object ( 8 - 10)
- Woyzeck and the Captain (5 and 9)
- The 3rd Scene - a scene aspects
- function of the songs - studied examples
- Comparison of the 4th Scene of Faust I, "Evening"
- The course of events
- Marie between two men: Woyzeck and drum major
- Woyzecks speechlessness
- work with the dictionary - methodical exercises
- What does the Fool - methodical exercises
- Determine the language measures - methodical exercises
- "Woyzeck" as an open drama - different types of scenes
- Büchner's literary theory
- Woyzeck - figure and figure constellation
- death signals
D materials
- read control 1 - 18 Scene
- The weird and wonderful entertainer place (to blood sausage liver sausage, 17)
- Goethe, Faust I, Scene, "Evening" (compared with 4)
- Reinhard Linde Hahn: Dialogue theory
- questions about a production of the play - answered by Christian Stückl
- Marius von Mayenburg talks about Thomas Ostermeier's "Woyzeck" production
- Heaven of Marzahn (review of Ostermeier's staging)
- We are we (review by Volker Lösch staging)
- Werner Morlang: Who and who? - Man is Man (as productive working)
E exams (with solutions expectancy)
- Analysis of a fictional text with further write job
- Comparison of two fictional texts with further write job
4th Other aids
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What is it really will be seen later than June 2010, I hope . can see now (July 2, 2010).
A small postscript almost all, dealing with Büchner bring him into the heaven of absolute genius. Now he was sure a talented man, a committed doer - but the early death led one to regard something as a life's work, but what was present only in very considerable indeed fragments and immature too. - For comparison, imagine the no less gifted Goethe at age 23, or about the end of 1772 Death: Some of the great hymns of us would have stayed, but not even "The Sorrows of Young Werther"! What we would expect to find in a Buchner, who would have been 60, 70 years old?
A small postscript almost all, dealing with Büchner bring him into the heaven of absolute genius. Now he was sure a talented man, a committed doer - but the early death led one to regard something as a life's work, but what was present only in very considerable indeed fragments and immature too. - For comparison, imagine the no less gifted Goethe at age 23, or about the end of 1772 Death: Some of the great hymns of us would have stayed, but not even "The Sorrows of Young Werther"! What we would expect to find in a Buchner, who would have been 60, 70 years old?
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